The Best Pentax Lenses For Portraits in 2022 [Current and Upcoming]

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The Pentax HD Pentax-FA 31mm f/1.8 Limited Lens is, in our opinion, the best portrait lens for Pentax k1000 cameras.

With the right lens, you’ll be able to make use of some wonderful features that will enhance your photography.

When buying a used lens, make sure the manual focus ring works before you buy it, as this is the most typical problem with used lenses that people encounter.

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So here are the top pick for the Best Pentax Lenses For Portraits.

Name Where To buy
  • Pentax HD Pentax-FA 31mm f/1.8 Limited Lens
  • Pentax-A* 85mm F1.4
  • Pentax SMCP-FA 77mm f/1.8 Limited Lens with Case and Hood
  • Pentax HD D FA 70-200mm f2.8ED
  • Pentax HD 16-50mm
  • HD PENTAX-D FA50mmF1.4

Best Pentax Lenses For Portraits

  • Pentax HD Pentax-FA 31mm f/1.8 Limited Lens

– The aluminum construction is high quality and has a fantastic feel in the hands to it. – The lens has a good amount of light transmission. I’d like to see more lenses like this one made of metal. Find one and give it a whirl; you’ll see what I mean.


Sharp, high-contrast images with a cozy glow are the result.

It’s possible to get a 3D effect out of this backdrop blur.

Best Pentax Lenses For Portraits

the overall size of the lens is appropriate for today’s digital SLR bodies (around the same size as an 18-55mm kit lens). Allows you to grab the lens with your left hand while taking pictures

– Using the manual focus ring is a breeze.

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– Because it is a full-frame capable lens, this one should last you a long time.

– Because of its normal focal length, I use this lens more often than any of my other lenses.

  • Pentax-A* 85mm F1.4

I bought my used copy from a professional photographer who was retiring, and I’ve used it mainly for concert photography.

It’s hard to put into words how much fun it is to utilize this device. At an open aperture, the narrow depth of field (DOF) and the long arc of the focus ring make it simple to dial in the focus for each shot.

As a result, the images are clear and aesthetically clear with a seamless falloff to the out-of-focus parts, not clinically clear.

The A85’s detail is strong enough that you can crop confidently after the fact and treat it like an 85-150 or thereabouts in concert scenarios that I find the usual lengthy zoom superfluous.

Compared to a longzoom, it’s more compact and manageable in these situations. Focus peaking with a loupe viewfinder adapter on any recent Pentax DSLR (or K-01) make this an excellent manual focus setup.

The lens performs admirably when used wide open, but it shines when the aperture is lowered a bit; there is no sweet spot. Between f/2 and f/4 is the most typical setting for me.

  • Pentax SMCP-FA 77mm f/1.8 Limited Lens with Case and Hood

It’s a beautiful piece of technology. The camera is compact, light, and captures every last detail.

For street photography, the FA77mm is so much more enjoyable to use than the Sigma 85mm 1.4.

This past weekend, I had the pleasure of meeting the former owner, with whom I had a fascinating discussion about Pentax gear and our shared fondness for compact and durable lenses.

I find that a -0.7 stop reduction helps me capture all of the fine details on my K3ii while shooting in bright (direct) light.

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The FA77mm will allow me to have even more fun and discover new things. Just buy it if you get a chance to do so.

  • Pentax HD D FA 70-200mm f2.8ED

It was announced at CP+ in February 2015 that the HD PENTAX-D FA* 70-200mm F2.8 ED DC AW telephoto zoom lens would be released before K-1 Pentax full-frame DSLR was. As a result, these are the first Pentax full-frame lenses since the D FA 100mm F2.8 WR lens, which debuted in 2009, when they were first released.

Despite its full-frame construction, this lens may also be used on cameras with an APS-C sensor format (24x36mm).

You can use it for portraits in addition to your usual sports, wildlife, and distant scenery photography because of its F2.8 maximum aperture and rounded aperture blade diaphragm blades.

Both the star classification and the feature list indicate that this is a professional-grade lens:

Four ultra-low dispersion elements with properties similar to fluorite components (two ED elements and two super ED elements) are included, as well as HD coating on the front element and Aerobright II nano-coating on the inside.

Quick-shift features via a 3-way barrel switch with a focus limiter and a tripod mount are all included.

The lens hood incorporates the standard removable component for Pentax that allows for easy adjustment of an attached polarizing filter.

  • Pentax HD 16-50mm

Designed for exceptional image quality, the HD Pentax-DA* 16-50mm F2.8ED PLM SDM AW is an APS-C format zoom lens. Autofocus is quick and silent thanks to the PLM motor, which is also appropriate for video recording autofocus.

The lens is weather-sealed and has a KAF4* mount, which has an electromagnetic aperture control. From -10 degrees Celsius to 40 degrees Celsius and humidity levels of 85 percent or less, the lens is suitable for usage.

See also  TOP 50 Best Pentax K-Mount Lenses of all Time.

Chromatic aberration is minimized with the use of a lens composed of three super ED glass elements and a fourth anomalous glass element.

The SMC Pentax-DA* 16-50mm F2.8ED AL [IF] SDM, which dates back to 2007, is being replaced by this lens. Internal focus ([IF]) used to be a feature of older models; the newer model’s focus extends outwards slightly.

The K-50 and newer cameras are compatible with this system. K-1, K-3 II, K-3, K-S2, K-S1, and the newest firmware version must be installed on the camera. An aperture of F2.8 is locked when this lens is used with an older camera model without a firmware upgrade, making it impossible to get a suitable exposure when using this lens with an older model.

  • HD PENTAX-D FA50mmF1.4

The Pentax K-1 has a good balance, stability, and reduced hand-shake for this lens. The Pentax K-1 may be handled easily with 2-3 fingers, even when the camera and lens are attached.

Autofocus works with older Pentax cameras such as the Pentax K5ii and prior, however, the electromagnetic iris control incompatibility with the software of the camera prevents wide-open shots.

Even at f1.4, the lens is perfectly usable on the Pentax K-30 and K200D, which I use more frequently now, as evidenced by the links/pictures provided below.

For the past two years, I’ve used this lens to capture photographs both in the studio and out in the wild. The DFA* 50/1.4 is a fantastic lens.

Infrared portraits are my favorite, and I use an infrared-modified K-30/K-5 to take them. A 640 nm filter on my modified Pentax K-5 allowed me to use the new HD Pentax-D FA* 50/1.4 SDM AW to focus correctly in the viewfinder. This is a huge shock. The lens’s sharpness at f1.4 is even more amazing! Unbelievable!

Author: Howard S. Baldwin

My name is Howard S. Baldwin. I am a work-at-home dad to three lovely girls, Jane + Hannah + Beauty. I have been blogging for the last 3 years. I worked for other Home and Lifetsyle blogs, did hundreds of product reviews and buyers’ guides. Prior to that, I was a staff accountant at a big accounting firm. Needless to say, researching and numbers are my passion. My goal is to be an informative source for any topic that relates to DIY life and homemaking.

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