My 8 Best Fuji Lens For Concert Photography [Top Value!]

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Here is detailed information on the best Fuji lenses for concert photography and all you need to know.

On the table are our top picks for the best Fuji lenses for concert photography;

Name Where To Buy
  • Fujinon XF8-16mmF2.8R LM WR Lens
  • Fujinon XF16-55mmF2.8 R LM WR
  • Fujinon XF18-55mmF2.8-4 R LM OIS
  • Fujifilm XF100-400mmF4.5-5.6 R LM OIS WR
  • Fujinon XF 23mm F1.4 R

Best Fuji Lens For Concert Photography

Fujinon XF8-16mmF2.8R LM WR Lens

The style and the overall form of the Fujinon XF 8-16mm f/2.8 lens is similar to that of other high-end XF lenses.


This implies it features an aperture adjustment ring with a ridged metal surface, followed by the zoom ring and then the focus ring at the front of the lens.

The zoom ring is marked at 8mm, 10mm, 12mm, and 16mm and rotates over its whole range in a relatively brief revolution.

There is a considerable degree of resistance; it does not feel loose and is difficult to rotate accidentally.

The focus ring, on the other hand, has a sloppy appearance. Fortunately, you can make fine adjustments if you rotate it carefully.

The amount of focus throw is determined by the speed with which you rotate the ring, as well as the distance, traveled, so it works well for both minor and large adjustments. It has focus-by-wire, like other XF lenses, which can make manual focus a little difficult at times, but in my experience, the lens functioned well with manual focus overall.

The XF 8-16mm f/2.8 R LM WR lens is fairly large for an X Series lens, although it is still smaller than a full-frame DSLR camera’s 14-24mm f/2.8 or 11-24mm f/4 lens. The weight of the XF 8-16mm f/2.8 is 1.77 pounds (805 grams).

The lens is 3.46 inches (88 millimeters) in length and has a maximum diameter of 4.78 inches (121.5mm).

The lens, like most other ultra-wide lenses, does not accept screw-on filters since it lacks a filter thread and has a built-in petal-shaped lens hood.

This is understandable, yet it is still awful. The bulbous front element also moves a lot as you zoom in and out, and at 8mm, it comes close to the lens hood.

The XF 8-16mm is a pro-oriented lens, as evidenced by its rugged and weather-sealed design. The lens is sealed in 11 different places, including a rubber gasket around the lens mount.

It is dust and moisture resistant and can be used in temperatures as low as 14 degrees Fahrenheit (-10 degrees Celsius), as I discovered during my hands-on time with the lens.

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The lens was obviously up to the task of dealing with winter conditions, and I expect it to withstand the same rigors as Fujifilm’s top XF lenses.

Best Fuji Lens For Concert Photography

Fujinon XF16-55mmF2.8 R LM WR.

This is a quick intermediate zoom lens for Fuji X-mount cameras that is also built of metal! There is no mechanical manual focus, like with all Fujinon XF lenses. It’s all digital.

WR is an abbreviation for weather resistance. Most newer Fuji X cameras have an AF+MF mode option in their autofocus setting menu, which gives you fast manual focus override as long as you hold the shutter halfway open.

To convert between auto and manual focus, you must shift an AF mode switch on your camera.

For many decades, Fuji, like Canon and Nikon, has also produced significantly more advanced optics, such as binoculars for military and space usage, as well as lenses for film and television with six-figure price tags at a discount.

Unlike smaller brands like Sigma and Tamron (or even LEICA), Fujinon has extensive experience supplying optics that cost more than some people’s homes, and it incorporates that knowledge into these lenses.

This Fujinon 16-55mm is built of metal and features superb optics that are super-sharp edge-to-edge even when the lens is wide open at f/2.8. This is the greatest midrange zoom for Fuji cameras if you don’t mind the price and weight.

Fujinon XF18

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Fujinon XF18-55mmF2.8-4 R LM OIS.

The Fuji XF 18-55mm f/2.8-4 aspherical zoom lens is designed for Fuji’s X-Series cameras. The lens incorporates an optical image stabilizer. This Fuji lens is far superior to the plastic 18-55mm toys made by Canon, Nikon, Sony, and others, and it’s also a full stop faster at all settings.

While the Canon and Nikon 18-55mm lenses have excellent optics, the Sony 18-55mm lenses do not, and all of the other brands are made entirely of plastic, with plastic mounts!

This Fujinon XF 18-55mm lens is almost entirely made of metal, with engraved markings. The camera is in charge of its focus and aperture.

Unlike what you might anticipate, this 18-55mm feels fantastic in the hand and is very sharp with no distortion or light falloff when shot on Fuji cameras.

It contains aperture and manual focus rotary encoders that inform the camera body what to do to operate the lens. The speed with which these reply is determined by your camera. Mel’s manual focus ring never worked properly, but the manual ring on any Fuji X lens hasn’t either.

No concerns; for spot manual focus, I simply press the camera’s AFL button; no one ever uses the focus ring on an electronic AF camera for manual focus; the same is true for the Contax G2.

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Unlike the XF 18mm f/2 and XF 35mm f/1.4, which have 52mm filter threads, this 18-55 has 58mm filter threads, which only matches the Fuji 14mm XF.

Fujifilm XF100-400mmF4.5-5.6 R LM OIS WR.

The Fuji 100-400mm /4.5-5.6 lens has great clarity at its broader focal lengths; but, as the lens zooms in towards 400mm, it is still very good, but not as tack-sharp as many consumers would presumably expect.

When utilized at 100mm focal length, photos are almost tack-sharp at /4.5; stopping down to /5.6 offers great results for sharpness that doesn’t improve as you stop down farther. At 200mm, we get comparable results, though we don’t quite achieve tack-sharp levels at /8.

At 300mm, the sharpness is extremely nice, but not tack-sharp, even when stopped down to /11; at 400mm, it’s just slightly less crisp, with more corner softness noticeable at the wider apertures.

Fully stopped-down performance at /22 is, as usual, best avoided because there is general softness throughout the image: results are notably dismal at 300mm and 400mm.

The Fujinon XF 100-400mm /4.5-5.6 R LM OIS WR is a well-made lens with an all-metal barrel and a satin black finish. The lens is not subtle: at the time of writing, it is Fuji’s largest lens.

It measures nearly seven inches long and weighs little more than three pounds (1.37kg). When mounted on the smaller X-mount bodies, it results in a package that isn’t quite as sleek as you might have hoped. Adding a battery grip to the X-T1 or X-T2 cameras significantly improves grip and balance.

The lens has optical image stabilization, which can be turned on and off via a special “OIS” control. The lens has weather sealing in 13 places, including a gasket on the lens mount.

This lens contains a few control switches: one to activate and disable automated aperture selection (in past Fuji designs, this has been attached to the aperture ring), a focus distance limiter switch (full, or 5m to infinity), and a switch to enable or disable optical image stabilization (OIS).

This lens has three rings: a zoom ring, a focusing ring, and an aperture ring, which is uncommon in modern digital camera lenses despite being a regular feature on Fuji’s X-mount glass. The aperture ring is about 3/8″ wide and sits closer to the lens body.

The zoom ring is two inches wide, with deep rubber ribs running parallel to the lens’s length. The zoom operation is quite smooth, ranging from 100mm to 400mm in an eighty-degree rotation with only a minimal amount of push necessary to change focal lengths. Because it is not an internal zooming lens, it does stretch as it zooms out, increasing in length by around 2 1/2 inches when it reaches 400mm.

The focusing ring is around 3/4″ broad and has a deeply grooved rubberized coating for a good tactile sensation.

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Because the lens has a fly-by-wire technology for lens focusing, the focusing ring is not mechanically attached to the lens elements. Rather, turning the focusing ring electrically moves the elements.

In fact, this means that the focusing ring will continue to revolve in either direction indefinitely, and you’ll have to rely on the on-screen readouts to determine whether you’ve attained minimum or maximum focus.

The lens lacks distance scales and depth-of-field information, however the X-E1 test camera we used has a distance scale on the LCD or viewfinder display.

At 400mm, Fuji claims five stops of hand-held improvement with its Optical Image Stabilization: Our tests revealed a four-stop improvement.

The lens includes a sturdy tripod mount as standard. The foot of the mount can be removed from the lens, but the collar is not removable: the foot contains a single 1/4-20 mounting point.

The lens hood is circular in shape and is constructed of plastic. It attaches with a normal bayonet mount. The hood measures 3 3/4″ long and has a sliding glass through which the user can rotate an attached 77mm filter.

Fujinon XF 23mm F1.4 R.

This Fuji XF 23mm f/1.4 is a fantastic aspherical 35mm-equivalent normal to the wide lens that is exclusively compatible with Fuji X-mount cameras. This lens boasts exceptional optical performance as the world’s newest ultra-fast mid-wide lens.

As photographed on the Fuji X-T1, this Fuji tele has no obvious distortion, is super-sharp straight out to the corners at f/1.4, has no lateral color fringes, and has no noticeable light falloff even at f/1.4.

It is not only ultra-sharp, but it also focuses ultra-accurately and virtually quickly, and it has excellent bokeh and sun stars. I’ve never used a better 35mm-equivalent lens, and it’s only around two-thirds the size of the largest plastic Nikon 35/1.4G ($1,620 and 21.2 oz./600g) or Canon 35mm f/1.4 L II ($1,320 and 20.5 oz./582g) on the Fuji system. This Fuji lens weighs half as much as Canon or Nikon lenses.

The sole drawback to this Fuji lens is that it does not have an instant manual-focus override. To enter or exit manual focus mode, you must push or pull the focus ring forward or back.

All of the Fuji X-Mount lenses are exceptional. What most photographers don’t realize is that Fuji, like Canon and Nikon, has been producing significantly more complex optics for many decades, such as binoculars for the military and for use in space, as well as lenses for motion pictures and television with six-figure price tags at a discount.

Unlike smaller brands like Sigma and Tamron (or even LEICA), Fujinon has extensive experience supplying optics that cost more than some people’s homes, and it incorporates that knowledge into these lenses.

Author: Howard S. Baldwin

My name is Howard S. Baldwin. I am a work-at-home dad to three lovely girls, Jane + Hannah + Beauty. I have been blogging for the last 3 years. I worked for other Home and Lifetsyle blogs, did hundreds of product reviews and buyers’ guides. Prior to that, I was a staff accountant at a big accounting firm. Needless to say, researching and numbers are my passion. My goal is to be an informative source for any topic that relates to DIY life and homemaking.

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